Submitted by: Maia Stark, Gallery Assistant
“Lampworking” is a glasswork technique widely practiced in the production of beads, figurines, marbles, ornaments, scientific instruments, and more (wikipedia). As a method, lampwork requires using a flame to melt and form glass. While in the past artists used oil fueled lamps to heat the glass (hence the term “Lampwork”), modern day lampworkers typically use a torch connected to propane or natural gas (lampwork.com). Early lampworking was accomplished in the flame of an oil lamp, with the artist using tools and blowing air into the flame through a pipe in order to manipulate the stretch of flame (wikipedia).
Despite no longer using “lamps,” artists working in this technique continue to use the term in order to distinguish their work from glassblowing or other types of hot glass techniques. During the method of lampwork, a torch is safely secured to table or workbench, and it remains stationary while the artist moves the glass around the flame. This is done by slowly introducing the glass (in the shape of a rod or tube) into the flame. This must be done slowly, to prevent cracking from thermal shock.
“Lampworking” is a glasswork technique widely practiced in the production of beads, figurines, marbles, ornaments, scientific instruments, and more (wikipedia). As a method, lampwork requires using a flame to melt and form glass. While in the past artists used oil fueled lamps to heat the glass (hence the term “Lampwork”), modern day lampworkers typically use a torch connected to propane or natural gas (lampwork.com). Early lampworking was accomplished in the flame of an oil lamp, with the artist using tools and blowing air into the flame through a pipe in order to manipulate the stretch of flame (wikipedia).
Despite no longer using “lamps,” artists working in this technique continue to use the term in order to distinguish their work from glassblowing or other types of hot glass techniques. During the method of lampwork, a torch is safely secured to table or workbench, and it remains stationary while the artist moves the glass around the flame. This is done by slowly introducing the glass (in the shape of a rod or tube) into the flame. This must be done slowly, to prevent cracking from thermal shock.
Jolene Dusyk demonstrates manipulating glass with the heat of a torch |
A detail of a completed necklace with lampwork beads (Jolene Dusyk, SCC). |
Jolene Dusyk, a professional craftsperson with the Saskatchewan Craft Council, works with lampworking, specifically creating original and one-of-a-kind glass beads for her line of jewelry, JoJo Beads. Working in a variety of lush colours, Jolene “flame-softens glass rods, transforming the molten glass into one-of-a-kind beads. The beads are then designed into inspired pieces of jewelry” (JoJobeads). Dusyk’s vibrant pendants and bracelets are available for perusal in the SCC Boutique, and, for an extra sneak peak of Dusyk’s capacity for creativity and design, visit the gallery before April 12th to see her piece in our current exhibit, Wearable Art.
“Mable’s Equity” by Jolene Dusyk (SCC) |
Wearable Art runs February 28th to April 12th, with a closing reception on Saturday April 12, 2-4PM. Also be sure to check out the Artists’ Talks on Saturday March 22nd at 2PM in the gallery!
The SCC gallery and boutique is located in the Saskatchewan Craft Council’s Affinity Gallery at 813 Broadway Avenue, Saskatoon, SK.
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