The History of the Emma International Collaboration

Submitted by: Sydney Luther, Communications Assistant

The Emma 2014 International Collaboration took place this past week, and it seems very timely to find out just how it came to be. With a decades-long history, Emma is now hosted biannually at the Ness Creek Festival Site.

Michal Hosaluk

Jamie Russell

Don Kondra

A trio of Saskatchewan woodworkers - Michael Hosaluk, Jamie Russell and Don Kondra - began organizing woodturning symposiums and workshops in Saskatoon in the early 1980s at the Kelsey Campus. They began the symposiums because there was a lack of formal craft education in Saskatchewan, beyond the weaving and pottery offered at the University of Saskatchewan.  Their woodturning conference was staggered biannually with a furniture conference in the same venue and eventually these two events were merged in 1985 and became a biannual event together.

Collaboration at a past Emma. 

In 1996, the first Emma Lake Wood Conference was organized and was held at the Emma Lake Kenderdine Campus, after the Kelsey Campus cabinetry program closed in 1994. The event was “agenda free and hands-on,” which is a mantra continued to be upheld by Emma Collaborations today.

The attendees were invited to the collaboration and these included longtime woodturners, as well as newer, less experienced artists. Although it began as a woodturning conference, many new mediums were added, including glass etching, metal casting and fabrications, beadwork and Japanese lacquer. Each year, new mediums are introduced and focused on. Now, Emma involves almost every craft medium one can imagine!

A past Emma Auction.

The main hope of the event is that all attendees will act as both teachers and students. Participants are urged to try new things and experiment with other artists. The seclusion of the event means that artists can completely immerse themselves in the art they create during the collaboration. A public auction is held at the end of the week-long conference, the proceeds of which are used to fund future Emma Collaborations.

Today, over 100 artists are invited from all over the world to attend. The event was moved to Ness Creek in 2006, although it kept the Emma name. The event continues to uphold the original intent, which was to hone a creative environment without a set agenda, at which artists can learn and grow. The Saskatchewan Craft Council has been involved since 1982, working as the administrative support to the creative event.

The Emma 2014 International Collaboration Auction is taking place this Thursday, August 7, 2014 at PAVED Arts and AKA Gallery in Saskatoon. You can view the event poster here. Attend for your chance to view and purchase the beautiful collaborative artwork created at the conference!

Artist Spotlight: Donna Cutler

Submitted by: Sydney Luther, Gallery Assistant.

Donna Cutler

Donna Cutler is a fine craft artist featured in the SCC Fine Craft Boutique. The artist, who resides just outside of Saskatoon in Beaver Creek, focuses mostly in the medium of free motion embroidery. Although she was originally self-taught, she went on to receive a certificate for Art and Design Level III at the Gail Harker Center for Creative Arts in Washington State, as well as certificates in hand embroidery and machine embroidery. Cutler says, “I arrived at fiber art through a long process of trying many other art forms. I started out drawing as a child, then as an adult, developed an interest in sewing, rug hooking... I also worked with various forms of hand needlework. Later on, I took a quilting class which was pivotal for me, as it led to art quilting.”

Cutler, who grew up in Winnipeg, specializes in what she calls ‘thread paintings,’ in which she depicts nature in near-photographic detail. She remarks, “I'm very lucky now to live south of the city within easy access to places like the Beaver Creek Conservation Area and Cranberry Flats.” Cutler takes many photographs of everyday nature settings to recreate using thread and embroidery techniques. She also utilizes photographs her husband Adrian takes, as well as ones supplied to her by good friend Judy Wood.

Autumn Birches by Donna Cutler

Cutler’s work is unique from other fibre artists’ because of her extreme attention to detail, which creates incredibly realistic looking textures. This style is not one that is easily replicated. She also dyes all her own fabrics and spends most of her summers dying fabrics at her home.

Bend in the Creek by Donna Cutler

On top of her unique fine craft work, Cutler also teaches and does commissions. To read more about this, check out her blog here. Cutler will be a Feature Artist at Anna Hergert’s Open Studio Workshop June 27th and 28th, 2014 and will be selling her work at at Art at Solar Gardens (previously Art at Agar's) in September. Cutler’s beautiful work is also for sale in the SCC Fine Craft Boutique. Please come visit and check it out!